MATOBO HILLS

Coordonnées géographiques : S 20°29’56.6’’, E 28°30’00.6’’

Bibliographie

ARMSTRONG, Albert, 1931, « Rhodesian archaeological expedition (1929) », Journal of the Royal Anthropological Institute, 61, p. 239-276.

 

ARNOLD, G., JONES, Neville, 1919, « Notes on the Bushman cave at Bambata, Matopos. », Transactions of the Rhodesian Scientific Association, 17 (1), p. 5-19.

 

BOURDIER, Camille, 2019, « Peintures rupestres et environnements culturels des Matobo, Zimbabwe », in G. PORRAZ, A. VAL, T. VERNET-HABASQUE, Préhistoire et hommes modernes, Lesedi Field Notes, 21, p. 25-29, https://issuu.com/french-institute/docs/2019-lesedi21-fr

 

BOURDIER, Camille, DUDOGNON, Carole, FROUIN Millena, NHAMO, Ancila, RUNGANGA Todini, & TOURON, Stéphanie, 2020, « Approche interdisciplinaire de la paroi ornée: Pomongwe Cave et le programme MATOBART », in L. JOBARD, C. DUDOGNON, C. BOURDIER, The Rock Art of the Hunter-Gatherers of Southern Africa, Lesedi Field Notes, 23, p. 13-18, https://issuu.com/french-institute/docs/2020-lesedi23/s/11397952

 

BURKITT, Miles Crawford, 1928, South Africa’s past in stone and paint, Cambridge, Cambridge University Press.

 

BURRETT, Robert S., FITZPATRICK, Moira, DUPRÉE, Julia, 2016, The Matobo Hills: Zimbabwe's sacred landscape (First ed.). Bulawayo, Zimbabwe. 

 

COOKE, Cran, 1963a, “Report on excavations at Pomongwe and Tshangula caves, Matopo hills, southern Rhodesia”, The South African Archaeological Bulletin18 (71), p. 73-151.

 

COOKE, Cran, 1963b, « The painting sequence in the rock art of southern Rhodesia », South African Archaeological Bulletin, 18 (72), p. 172-175.

 

COOKE, Cran, ROBINSON, K. R., 1954, “Excavations at Amadzimba Cave, Matopo Hills, Southern Rhodesia”, Occasional Papers of the National Museum of Southern Rhodesia, 2 (19), p. 699-728.

 

DUDOGNON, Carole, FROUIN, Millena, TOURON, Stéphanie, NHAMO, Anicla, MACHIWENYIKA, Kelvin, PORRAZ, Guillaume, RUNGANGA, Todini, BOURDIER, Camille, 2021, « Recherche, conservation et valorisation d’un patrimoine mondial : des défis multiples dans les Matobo, Zimbabwe », in B. FAVEL, C. GAULTIER-KURHAN, G. HEIMLICH, Art rupestre et patrimoine mondial en Afrique subsaharienne, Paris, Hémisphères, Nouvelles éditions Maisonneuve & Larose, p. 67-90.

 

GARLAKE, Peter, 1987, The painted caves, Harare, Modus publications.

 

GARLAKE, Peter, 1995, The Hunters’ Vision: The pre-histone Art of Zimbabwe, Harare, Zimbabwe publishing house.

 

HUBBARD, Paul, 2018, “The Rock Art of the Matobo Hills World Heritage Area, Zimbabwe: Management and Use, c 1800 to 2016”, Conservation and management of archeological sites, 20(2), p. 76–88.

 

HUFFMAN, Thomas, 2007, Handbook to the Iron Age, Durban, University of KwaZulu-Natal Press.

 

JOBARD, Léa, 2020, “Matobo Rock Art in its Landscape”, in L. JOBARD, C. DUDOGNON, C. BOURDIER, The Rock Art of the Hunter-Gatherers of Southern Africa, Lesedi Field Notes, 23, p. 36-41, https://issuu.com/french-institute/docs/2020-lesedi23/s/11397956

 

JONES, Neville, 1926, The Stone Age of Rhodesia, London, Oxford University Press.

 

JONES, Neville, 1933, “Excavations at Nswatugi and Madiliyangwa, and notes on new sites located and examined in the Matopo Hills, Southern Rhodesia, 1932”, Occasional Papers of the National Museum of Southern Rhodesia, 1 (2), p. 1-35.

 

KUMIRAI, Albert, MSIMANGA, Audrey, MUNYIKWA, Darlington, CHIDAVAENZI, Robstein, MURINGANIZA, SVINURAYI, Joseph, 2003, Nomination dossier for the proposed Matobo Hills World Heritage Area, https://whc.unesco.org/en/list/306/documents/

 

LARSSON, Lars, 2001, “The Middle Stone Age of Northern Zimbabwe in a Southern African Perspective”, Lund Archaeological Review6, p. 61-84.

 

MAKUVAZA, Simon, 2014, “From colonialism to independence: The management of cultural heritage in Zimbabwe”, in C. SMITH, Encyclopedia of global archaeology, New York, Springer, p. 7965–7973.

 

MGUNI, Siyaka, 2015, Termites of the gods: San cosmology in Southern African rock art, Johannesburg, Wits University Press.

 

NHAMO, Ancila, 2013, « Of borrowed concepts and regional variations: a critique of rock art interpretative frameworks with specific reference to Zimbabwe », in M. MANYANGA, S. KATSAMUDANGA, Zimbabwean Archaeology in the Post-Independence era, Harare, Sape Books, p. 61-74.

 

NHAMO, Ancila, BOURDIER, Camille, 2019, “Matobo Rock Art”, in C. SMITH, Encyclopaedia of Global Archaeology, New-York, Springer, doi. Org / 10.1007 / 978-3-319-51726-1_3252-1.

 

PORRAZ, Guillaume, CHIWARA, Precious, HAALAND, Magnus, MNKANDLA, Thubelihle, MACHIWENYIKA, Kelvin, RUNGANGA, Todini, TRIBOLO, Chantal, VAL, Aurore, BOURDIER, Camille, 2020, “Les sous-sols de l’art rupestre à l’abri Pomongwe”, in L. JOBARD, C. DUDOGNON, C. BOURDIER, The Rock Art of the Hunter-Gatherers of Southern Africa, Lesedi Field Notes, 23, p. 19-22, https://issuu.com/french-institute/docs/2020-lesedi23/s/11397951

 

PORRAZ, Guillaume, NHAMO, Ancila, BOURDIER, Camille, to be published, “Pomongwe cave, Zimbabwe”, in A. BEYIN, D.K. WRIGHT, J. WILKINS, D.I. OLSZEWSKI, Handbook of Pleistocene Archaeology of Africa, Cham, Springer.

 

RANGER, Terence, 1999, Voices from the Rocks Nature, Culture, and History in the Matopos Hills of Zimbabwe, Indiana University Press, 305 p.

 

SMITH, C.G., 1968, Some aspects of the Geology of the Matopos, Unpublished Honours thesis, University of Rhodesia, Geology Department.

 

WALKER, Nicholas, 1987, « The dating of Zimbabwean Rock art », Rock Art Research, 4 (2), p. 137-148.

 

WALKER, Nicholas, 1995, Late Pleistocene and Holocene hunter-gatherers of the Matopos, Uppsala, Studies in African Archaeology 10.

 

WALKER, Nicholas, 1996, The painted hills, Gweru, Mambo Press.

 

WALKER, Nicholas, 1998, The Late Stone Age. Ditswa Mmung, The Archaeology of Botswana, Gaborone, Pula Press and Botswana Society.

 

WALKER, Nicholas, THORP, Caroline, 1997, « Stone Age Archaeology in Zimbabwe », in G. PWITI, Caves, monuments and texts: Zimbabwean Archaeology today, Uppsala, Uppsala University, p. 9-32.